My WW1 Romance Novel is Out On Google Play, For Free!

(Sorry, Mr Bezos!)

Not long ago, I explained the reasoning behind my new year’s resolution of wanting to give away my literary works for free from now on (click here to read the details). I was finding the Amazon online platform too constricting for what I wanted, and the lack of control was really getting to me since I want the reading experience of my books to be as free-flowing as possible for you guys.

Well, after looking at a number of options, I’m pleased to report that my Publishing House has been accepted in the Google Play Book Store, which means you’re able to download and keep a copy of The Air Between Us for as long as Google exists (or at least their terms & conditions).


THE AIR BETWEEN US

ENGLAND, 1913

Storm clouds gather over Europe, but for Jen Edwards, the future remains bright. Betrothed to a brilliant photographer, her path to married bliss seems guaranteed until tragedy upends the safe and comfortable life they’d planned together.

Now desperate to escape the wreckage of her past amidst the onset of a World War, she enlists as a volunteer in the newly-formed Royal Flying Corps, and is dispatched to France. In the skies over the Somme, many young pilots will meet a brutal end, and Jen learns not to give her heart to anyone when love comes so cheap. Anyone, that is, until her past arrives at the airfield one day, camera in hand…


Better yet, after looking at a number of charity funding models, I can keep supporting my chosen charity by donating £0.20 (approx $0.25 USD) per download of my book via the Google Play Store. So not only do you get an entire novel that I poured my heart, sweat & tears into, you also support the vital work of The Alzheimer’s Society.

And the good news keeps coming – I’m going into print.

That’s right – The Air Between Us will be my first book that is actually printed in hard copy that you can run your hot little hands over and turn the real-life pages of. The cost is still to be determined and there will be a limited print run, but if there’s anyone out there who wants to support my efforts by purchasing a limited edition signed copy, you’ll be able to order it directly from this website.

I’ll have these latest updates in due course, but for now, please check out my book in the Google Play Store. The book itself only came into being over the course of a crazy 3 weeks back in 2022 when I set myself the challenge of writing, editing & designing an entire romance novel in two weeks (I ended up overrunning by 7 days – my first post on the madness can be found here).

The end result was a surprisingly polished war epic set at the height of the air war in WW1 (if I do say so myself whilst twirling a fake moustache). Following the exploits of No.2 Squadron of the British Royal Flying Corps, it brutally strips the layers of innocence from its two main protagonists; Jen Edwards and Hal Drayton, as they both fight their own battles against overwhelming odds. It’s crammed with memorable supporting characters like the irrepressible Baxter Mathers, the precise Captain Andrew Collins and the villainous Wing Commander Samuel Forsyth, amongst many others.

Based on historical events, I worked hard to keep the realism at a solid 10 to maintain an authentic reading experience that puts you in the cockpit of a BE2c, or staring down the lens of an aerial camera during a chaotic bombing raid. Combined with an original love story that I cruelly designed to wrench on the coldest of hearts, it’s my first and possibly last foray into this genre and I heartily recommend you pick up a free copy.

Please, please, please don’t miss it.

Thanks as always,

MA

History of the BMW Logo

The history of the BMW logo is as controversial and enigmatic as the history of the company itself, and it begins in the dying months of World War One…

The BMW Logo - Bavarian colours of blue and white
Photo by Luis Quintero

BMW can trace its roots to the Rapp Motorenwerke, created in 1913 by Karl Rapp. Developing and building aircraft engines on the outset of WW1, the business saw moderate success until Rapp’s departure in 1917. It was then renamed the Bayerische Motoren Werke (Bavarian Motor Works), yet this new firm had no logo for months, only its registered name. The reason is simple – it didn’t need one; its sole customer was the German Air Force.

It was on 5th October 1917 that the famous blue and white badge was trademarked. The colours are those of the Bavarian national flag, and it carries the tradition of a black border from Rapp’s own logo bearing the company name. By then, BMW was already deep into development of an aircraft engine the likes of which hadn’t been seen before. Named the BMW IIIa, it was an inline six-cylinder capable of 200hp at a height of over 6000ft. When bolted onto the Fokker D VII, the German Air Force had an aircraft that could out-climb and out-maneuver anything the allied nations could send against it.

The logo’s origin
WW1 photograph of a Fokker D VII aircraft outside a hangar
A Fokker D VII

The small company faced unprecedented demand for ever more IIIa engines, and over 700 were eventually built. But this success came too late to change the outcome of the war, and Germany finally accepted defeat on 11th November 1918.

When the victorious allies placed the BMW IIIa on a test rig, the results astounded them. Clocking 230hp, it represented a leap in technology far greater than anything they had come up with. In fact, so scared, so terrified were they, that the Treaty of Versailles was given an extra clause – BMW were no longer allowed to design or build aircraft engines.

Facing imminent collapse, the company shifted to the manufacture of farm equipment and industrial engines. This interwar period was a difficult time for BMW, and there came a flurry of take-overs, acquisitions and mergers in the German market that it somehow managed to survive. Coming out the other side producing automobiles with a new confidence, the firm made a nod to its aircraft origins (and a ‘screw you’ to the Versailles Treaty) with an advertising campaign portraying its badge as a stylised whirring propeller.

1929 advertisement for BMW, showing its link to aviation

And so the legend of the BMW logo being a stylised white propeller against a blue sky was born. In the decades since, it has become an urban myth, and one that BMW itself has not distanced itself from, stating, “it is not strictly true there is a propeller in BMW’s logo.”

Instead, it seems BMW’s marketing team views it more as a happy coincidence they are content to allow to endure through the years. And it makes a great story, one that its millions of loyal customers can tell at dinner parties whilst admiring their BMW key fobs.

Certainly it is a far more palatable story than the one that comes from the ashes of World War Two. If you were to have shown the BMW logo to any one of the survivors from German concentration camps such as Dachau and Auschwitz, their reaction would surely have been one of horror and revulsion. Towards the end of WW2 in 1945, more than half the 56,000 workforce at BMW were used as forced labour from concentration camps. These people were made to work more than 12 hours a day, were whipped, beaten and even killed for the most trivial of mistakes. Reduced to drinking toilet water to survive, BMW’s mass production for the German war effort could not have succeeded without them.

Concentration camp victims forced to work at a BMW plant in Allach
An image taken at a BMW production camp that should bury the company. Instead, its net worth today is more than £45,000,000,000

For the longest time, BMW made every attempt to conceal its participation in the atrocities, and only began accepting their responsibility in 1999 once the vast majority of direct victims had passed away and were therefore unable to claim any kind of compensation.

Against this backdrop, BMW made the latest iteration of their logo in 2020. On its unveiling, the words of its Senior Vice President Customer & Brand Department, Jens Thiemer, must surely leave him a sour taste in the mouth:

“BMW becomes a relationship brand. The new communication logo radiates openness and clarity,” 

Jens Thiemer
Latest BMW logo unveilied in 2020

Or perhaps the change is rather fitting. By uglifying the brand, perhaps BMW is sending a message – that the openness and clarity they claim to hold themselves to is revealing a dark, murky past still coming to the light.

It also fits well with my own assertion in a previous post – we can’t make beautiful things anymore.

My New Book Is Out Now!

It’s called The Air Between Us, and my royalties are going to charity

It took three full weeks of grinding work to make this a reality. I loved every minute

Never am I happier than when I’m storytelling. I love everything about the process (perhaps apart from the editing), and I feel incredibly lucky to be able to spend time on my craft because it never feels like work.

Originally for this project, I had set myself the goal of creating a full length novel in two weeks. Well, it turns out that was a bit optimistic. It took me three to get it to a place where I was happy with the quality of the story. And it was one hell of a roller coaster journey fuelled with coffee and a Jon Bon Jovi playlist on repeat.

But the moment has arrived – It’s out now at Amazon in eBook format and priced at the very reasonable sum of £1.77. Of that, my royalty is around £1.20, and for every purchase made, I’ll be boosting it to £2.00 (which is approx $2.65 USD) and donating it to my chosen charity: The Alzheimer’s Society. It’s also available as a Kindle Unlimited subscription, and likewise, all royalties from there will also be added to the donation pot. I’ve created a dedicated charity page on my website (Link Here) to provide monthly donation totals, and it will include any future books that I add to my charity library.

For me, finishing any piece of literature is always a bittersweet moment. A part of me wants to continue working on the characters and adding new scenes in the world I’ve built. But as a great philosopher once said; anyone can make something more complicated. It takes vision to keep things simple. While I might lack the vision, having the short time frame to produce a full-length novel has been a great lesson in learning to know what’s important to a story. For The Air Between Us, it forced me to keep only the important bits in, and discard those ideas that would have just been window dressing. As a result, the final book has a very taut, very punchy story that is going to stay with me for some time, and I hope that for anyone who decides to take the plunge and read it, you are left with the same feeling.

Now that this project is over, I have an opportunity to start work on something new. I have a couple of ideas in addition to my ongoing commitment with the Blackchapel Chronicles, and once I’ve made them tangible, I’ll be providing an update very soon. The past week, I’ve been recharging my batteries and reconnecting with people after being holed-up in a room typing on a laptop for so long. Already, I can’t wait to start writing again.

To anyone who does buy the book, thank you so much, it means a lot to me to know someone is reading my words. And if you just read the sample, that’s great too. When all is said and done, my motivation is to reach out to people with my words and provide an entertaining set of stories. There is so much going on in the world these days, settling down with a book feels like one of the last refuges we have left to escape for a precious hour or two.

Until next time, happy reading & writing!

Writing a Romance Novel in Two Weeks For Charity – The Final Update

The book is finished, and I’m getting it (self)published

It feels a lot longer than the two-and-a-half weeks it’s actually been since writing the first page of my very first (and possibly last) romance novel. Getting it over the finish line has resulted in a lot of missed sleep, and hours upon hours of writing and editing that felt like it would never come to an end. It’s been a real slog that’s seen me not shower for three days, and sometimes hardly even acknowledge the existence of my wife at times.

Seriously – she’s actually left me to stay with her parents this weekend and keeps messaging me with photos of all the great things they’re doing. What can I say – I suffer for my art.

It will completely blow me away if people do buy this book, not just for me as a writer, but more importantly for the charity I’m supporting – The Alzheimer’s Society (link goes to their website). I’ve put a lot of work into the quality of the final product, and I’ve even made my own map of Northern France from scratch so readers can follow where the story is at any point. For an idea of what to expect, here’s the synopsis;

My dream is for the short deadline to not be noticeable while reading it. In terms of the book’s format, it will be available first in eBook, then (very soon after) in paperback. Regardless, all my royalties will go to charity so it can make a great gift for someone.

The next post I make on this topic will contain the details on where it can be bought and how much it will cost (it won’t be a lot of money because I never charge a lot – I’m terrible at business). It will also have a ‘look inside’ feature so you can take a peek of the first chapter or two.

Until next time, stay safe & happy writing / reading!

Writing a Romance Novel In Two Weeks For Charity – BOOK COVER UNVEILING

Drum roll, please…

Going to bed last night, I was really, really worried. I had no book blurb, I had no front cover, I wasn’t even happy with the title I’d decided on for my completed manuscript. In short, I had a completely blank slate for a brain after 10 o’clock.

My wife was already fast asleep by the time I slid under the covers and drifted off, thoughts of failure etched on my mind. Then 2.30am rolled along. I snapped awake. My mind was on fire; I knew exactly how the cover was going to look, I had a better title – I even had a tagline. Whipping back the cover, I leapt out of bed, dashed into my study, turned on the computer, and…and…

It didn’t f***ing work! My computer had died during the night like my pet hamster from childhood. Painful flashbacks ensued.

So I got out my old Chromebook that has a broken ‘up arrow’ on the keyboard, and the ‘a’ and ‘s’ letters worn off their keys. And with it, I produced this…

For someone who failed Art & Design at school, I’m a little bit proud of it, and I feel it fits the mood of the book really well. Now that this project has an actual cover, it also feels a lot more real, and my biggest fear has gone from being; “will I be able to complete this?” to “will anyone like this book enough to actually pay money for it?”

Any and all royalties will be going to a charity close to my heart, and to ensure every penny gets to where it needs to be, I’m not recouping any incurred costs. Having begun this whole thing as a bit of a fun joke, I really want this book to stand as a good story in its own right. To that end, my philosophy in writing has always been the same; keep trying, don’t give up, and if you produce something that is entertaining, people will buy it.

And for any chance of that to happen, I have to get back to the soul-crushing work of editing.

Happy designing / writing / everybody!

Writing a Romance Novel in Two Weeks For Charity – DAYS 6 & 7 UPDATE

Halfway through the challenge, my main villain is so cruel, I’m finding it hard to write him

Photo by Greg Thames on Pexels.com

Before I go any further in this post, I have massively fallen behind on my updates, so I’m wrapping this one into days 6 & 7 – It’s that kind of a project.

At the end of the first week, I have (some would say inevitably) fallen behind by about 10,000 words. So to try and catch up, I’m intending to pull an all-nighter tonight (Tuesday) and then work through the next day until I eventually collapse on Wednesday evening. My current word count stands at 40,000. A mix of personal stuff and re-drafting had slowed things down over the weekend.

On the positive side, I’ve really begun to like some of the characters I’m writing, which is something I was not expecting in a romance novel. Before this, I would have scoffed at such an idea, having wrongly believed the genre was nothing more than two-dimensional mush wrapped up in three-day old bubblegum. More fool me.

There is one character getting under my skin more than the others though, and that is the main antagonist. Somehow I’ve allowed him to morph into a real villainous piece of sh*t. There’s nothing wrong with having an evil villain (in fact it’s the aim, after all) but I do try and set a limit in keeping with the theme of the story, and this guy is pushing it. I’ve known of a few writers whose characters morph in ways they hadn’t originally expected them to, and it’s always been fascinating to me; as their creators, you’d think we could keep to a rigid set of characteristics and stick to them, never deviating from the path. Yet they always seem to creep out the page with a life of their own.

The other thing I have to keep my eye on is the charity element of this book – I’m donating all my royalties to charity, and therefore any organisation associated with this project is probably not going to want it to be too graphic/controversial. On the other end of the scale, I’m a thriller writer who has never censored himself for anything, so there is a large push-pull going on inside my head right now.

Anyone who might have been following my clues in earlier posts may already have got this, but the majority of the book is set against the backdrop of World War One, which is quite fitting considering the awful events currently taking place in Ukraine and threatening to spill across Europe. The nice thing about writing, especially fiction writing, is how it allows you to shut the door on the outside world for a short time and seek solace in one that you can create anew from your own desk.

In portraying events of the Great War, I’ve been careful not to take too many liberties with history, or with the achievements of those who fought on the front lines, struggling against impossible odds on both sides of the conflict. To that end, I put extra research into some of the key events the story follows in order to maintain some authenticity and realism, and I hope the final product will stand as a testament to the sacrifices made by the generation of my grandparents and great-grandparents.

The speck of light at the end of the tunnel is visible in this project. Yet I still have the book’s front cover to start (hopefully by the weekend) and the front & back matter to do as well. There’s just not enough hours in the day…

Happy writing!